I ARRIVE WITHOUT WARNING!

And win all horror fans who religiously pay their Netflix fee.

“Marianne”, the most amazing genre premiere of the year, comes straight from France and is ready to curse our screens with a smart and infallible formula based on witchcraft, humor, literature and adventure.

A triumph. Although it is already a bit old, for connoisseurs and lovers of the horror theme it will be extremely exquisite.

Recovering some of that essence and references, and with its central base in France, 'Marianne' successfully returns to us those glorious days of the new wave of francophone horror that blew up festivals and video shops fifteen years ago.

Bustillo, Maury de Aja, Laugier, Gens or du Welz dot the screens of the world with their presentations.

Following the rules of traditional horror and adapted to the streaming times we have experienced, Bodin and his technical and artistic team put all their meat on the grill based on rhythm, fear and first-class credentials.


A tangible and bloody test of remarkably well-executed manual horror, with no shots in the air or unnecessary fears based on some of the scariest nightmares we've seen in recent times.


I would venture to say that it even exceeds much of the current horror genre for the big screen.

When a novelist takes a break from writing after ten years of success with a series of horror books, she discovers that the devil in her book exists in the real world.


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