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· 08 May 2022

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Phantom Thread Movie Review & Film Summary (2017)

Phantom Thread Movie Review & Film Summary (2017)

    
The Phantom Thread is a 2017 American historical drama written and directed by Paul Thomas Anderson and starring Daniel Day-Lewis, Leslie Manville and Vicky Cripps. Reynolds Woodcock (Daniel Day-Lewis), a slender, fiery middle-aged British designer, the subject of Paul Thomas Anderson's Daniel Day-Lewis Phantom Line, is a man who seems to have it all man. Set in the haute couture world of 1950s London, Paul Thomas Anderson's latest model stars Daniel Day-Lewis as famed fashion designer Reynolds Woodcock, a charismatic, talented, obsessive and controlling man. Surprisingly, star Daniel Day-Lewis hasn't played Briton in a movie since 1988's "Stars and Bars," but here he plays a consummate perfectionist who His image and role in society are as nuanced as he treats himself. Work. . [Sources: 2, 8, 9, 11]
    
Three-time Academy Award winner Daniel Day-Lewis brings unforgettable performances from the ruthless oil driller, to the lame painter Christie Brown who controls only his left foot, the greatest American presidents of all time Abraham, Lincoln and many more Others, so he initially seemed a little overwhelmed when he announced that his role as famed fantasy tailor Reynolds Woodcock in The Phantom Thread would mark the end of his acting career. To clarify, I'm in no way suggesting that three-time Oscar winner Daniel Day-Lewis has relationship problems or communication difficulties with everyone, but the deep sadness that hung over him during the filming of The Phantom Wire may have something to do with hitting distance with Reynolds Woodcock The similarity of the target too close. A second or third look from his previous films is his schadenfreude over Reynolds Woodcock (Dai Lewis) for his rich comedy. In The Phantom Thread, Daniel Day-Lewis, who has said it will be his last show, seems to be relishing the chance to play another gorgeous emotional fascist, and the film invites the audience to laugh along, especially in Al Ma tries to maintain her place in the plan as she prepares an intimate dinner for herself and Reynolds. [Sources: 4, 9, 13]
    
It's Crips' twist that brings us into Reynolds' world, but Manvilles reveals its hidden depths over and over again throughout the film. Not only does her little-known co-star take on Day-Lewis in the scene where Alma begins to impose Alma's will on Reynolds, she also supports Paul Thomas Anderson's shaky perspective assumption that Infiltrate (presumably) meditate on a great artist (basically what Darren Aronofsky tried and failed in Mother last year!). In early 1955, Alma (Vicky Cripps) may have looked like the ornament of a London seamstress, but Paul Thomas Anderson gradually reveals that Paul Thomas Anderson's ghost threads are his story , occupies the family history of the woman who broke the ice. Practitioners, like the London seamstress of 1955, obsessed with a woman's special appearance to satisfy her visual pleasure, Alma (Vicky Crips) prides herself on her ability to do as much as Reynolds asks her to complete a try. Be an inspiring muse. [Sources: 0, 3, 6]
    
This is the formula before the arrival of Alma (Vicky Crips), an expatriate waitress that Reynolds brings from the countryside to London, settling her in his stately townhouse as her muse and lover. So how far Alma (Vicki Krieps) goes to finally catch the London seamstress in 1955 has a morbid and psychosexual undertone, with consequences that go far beyond what Paul Thomas Anderson's Phantom Thread shows. As Anderson's delicately witty and disturbing screenplay shows, Moody and Alma are both trapped: he is in a selfish routine of work and release, she is in a relationship with little free will because of his way of loving (and with Cyril as guardian) - - and precisely when their the relationship is on edge, their out-of-sync obsession with each other taking the most stunning turns. The director's script lurks in this unlikely pairing with a startling gradation of moods, from the cute dynamic of their initial courtship to growing discomfort as Reynolds rebuffs immigrant Alma's (Crips) attempts to take control of her. [Sources: 3, 5, 7, 12]
    
There's no doubt the director made a memorable ending for his There Will Be Blood co-star British tailor Reynolds Woodcock, a stern perfectionist in his fifties who snatches immigrant Alma (Crips) out of obscurity to be her model and muse. British tailor Reynolds Woodcock, a stern perfectionist in his fifties who pulls immigrant Alma (Crips) out of obscurity to become her model and muse to immigrant British seamstress Reynolds Woodcock Alma (Crips). While Daniel Plainview in "Oil Will Blood" was a vector of pure demonic ambition, Reynolds Woodcock is baffled that Reynolds is one side of a complex emotional triangle. This means that Reynolds Woodcock isn't the best guy around today, pushing women away when they start hitting on him in some mean way, or when they get too close to see through the torturous artist bullshit he's immersed himself in. Reynolds Woodcock talks about the various superstitions associated with tailoring wedding dresses; tells a young waitress about how small items and messages can be hidden in handmade clothes. [Sources: 1, 5, 7, 10]
    
Paul Thomas Anderson's camera pans up and down the stairs of the terraced house and focuses on Reynolds' work as a designer, enveloping us in physical fabrics: 16th-century Flemish lace, with which she transforms Alma into a gorgeous lavender dress, or a stunning silk royal number with pink diamonds on the chest. There are also brief twists and turns in Reynolds' social life by Gina McKee and Julia Davis that grace Reynolds' portrait of a confirmed bachelor and delight anyone who's ever wanted to see Julia Davis in an Anderson film. Instantly, as if a madman were changing batteries, Alma becomes part of Woodcock's bustling work as model, white-coated worker, resident and chief employee, with a front-row view of her perfectionist highs and far-flung lows. [Sources: 0, 9, 12]
    



    

        
    



##### Sources #####
    
[0]: https://www.denofgeek.com/movies/phantom-thread-review-2/
    
[1]: https://www.rogerebert.com/reviews/phantom-thread-2017
    
[2]: https://parade.com/647091/samuelmurrian/5-reasons-you-should-watch-phantom-thread-over-and-over/
    
[3]: https://deepfocusreview.com/reviews/phantom-thread/
    
[4]: https://www.flickeringmyth.com/2017/12/movie-review-phantom-thread-2017/
    
[5]: https://www.vanityfair.com/hollywood/2017/12/phantom-thread-review
    
[6]: https://www2.bfi.org.uk/news-opinion/sight-sound-magazine/reviews-recommendations/phantom-thread-paul-thomas-anderson-daniel-day-lewis-artist-muse
    
[7]: https://www.indiewire.com/2017/12/phantom-thread-review-paul-thomas-anderson-daniel-day-lewis-1201903991/
    
[8]: https://en.wikipedia.org/wiki/Phantom_Thread
    
[9]: https://variety.com/2017/film/reviews/phantom-thread-review-daniel-day-lewis-1202632204/
    
[10]: https://www.nytimes.com/2017/12/24/movies/phantom-thread-review-daniel-day-lewis.html
    
[11]: https://www.hollywoodreporter.com/movies/movie-reviews/phantom-thread-review-1063279/
    
[12]: https://www.thewrap.com/phantom-thread-film-review-paul-thomas-anderson-daniel-day-lewis/
    
[13]: https://decider.com/2022/01/17/phantom-thread-netflix-review/