Reflecting on how much New York has changed since Travis Bickle starred in Robert De Niro's unforgettable reality show has become a tradition as he rides Travis Bickle. · Bickel's checkered taxis roam the night streets. It's been years since mad cab driver Travis Bickel (De Niro) first flushed limescale off the road, and in the years that followed, his rage and riveting power almost No reduction. From Robert De Niro's opening scene in "Taxi Driver," De Niro plays Travis Bickel, a 26-year-old ex-Marine looking for a job that will keep him through the night. Sleep's work to combat Travis Bickel's insomnia. Taxi Driver is set in a decadent and morally depraved place in Vietnam and post-Vietnam New York City. "Taxi Driver" follows cab driver and military veteran Travis Bickel (De Niro), and his deteriorating mental state as he works nighttime jobs in the city. [Sources: 0, 2, 3, 6]
Taxi Driver (1976) explores the psychological insanity of an obsessed, perverted, inarticulate, lonely, anti-hero, and war veteran (De Niro) taxi driver who mistakenly lashes out with frustrated rage and force like a time bomb that goes off against the world. which pushed him De Niro) obsessed. Given New York City's desperate conditions, screenwriter Paul Schroeder had little trouble tapping into Paul Schroeder's sense of isolation by inventing Taxi Driver as his own person. The organization of Travis' mind through forced cleansing is consistent with Martin Scorsese's claim that Travis Bickle considers himself a religiously justified figure cleaning the streets of New York, although evidence for this interpretation is lacking in Martin Scorsese's Taxi Driver. While the film has rarely been misinterpreted as a product of racism, Travis Bickle's apparent hatred of African Americans has been described as his desire to return urban sprawl to white males. [Sources: 4, 5, 9]
Travis Bickle and Martin Scorsese's Taxi Driver is a blank slate onto which we project our meaning, making the film strangely and uniquely versatile despite the art direction and shocking plot. Martin Scorsese aims to develop the production as if the entire film was played through the eyes of Travis Bickle, which in turn shows that the filmmakers themselves were not racists, only their characters. Ebert understands, as Lewis Bond does, that "total loneliness is at the core of Martin Scorsese's fifth film, and perhaps that's why so many people associate it with him, even though Travis Bickle seems to be the most alienating of movie characters." the new film, with its repressed sex and repressed violence, is already so high that it doesn't need menacing drums, snake rattles and rippling scales, menacing drums belong to furious thrillers that surpass Taxi Driver. [Sources: 1, 4, 10]
Peter Boyles' role is small, but he was right to want to star in Martin Scorsese's new film, and he does sloppy wonders in his scenes as the gracefully stocky Wizard, adapted to the filth that Travis is forced to contend with; Peter Boyle) gives the film a distinct New York sleaze flavor, and Harry Northrup, the taxi driver, has a deadpan face and southern accent that suggests he's a different kind of uprooting. Martin Scorsese himself is sitting on the sidewalk when Travis sees Betsy (Cybill Shepherd) for the first time, and then returns to play the brilliant and painful role of one of Traviss' connoisseurs: a man who wants Travis to share his joy. It has. he intends to shoot his unfaithful wife with the desire to make her his unfaithful wife. [Sources: 10]
Earlier in Martin Scorsese's Taxi Driver, Betsy (Cybill Shepherd) and two assistants find themselves without a limousine and make the mistake of getting into Travis Bickle's cab. Their driver makes small talk about being a staunch supporter of a politician, but then gets lost in a tirade about cleaning up York City. [Sources: 4]
Travis meets campaign activist Betsy (Cybill Shepherd) and becomes obsessed with saving her and the world. Travis takes Betsy home, and when she opens her bag to pay for the ticket, he smiles at her and leaves without receiving the money. Explaining that he drives a cab at night, Travis makes it clear that he really wants to take her out for coffee and cake. [Sources: 0, 7, 9]
Their date raises questions and the protagonist begins to show his nervous side, but the beautiful young blonde hesitantly agrees to continue dating him. Experiencing an existential crisis and watching prostitution records being kept throughout the city, Travis shares his thoughts, which are starting to turn violent, to fellow taxi driver The Magician; however, the Wizard assures him that he will be fine. Travis buys a weapon and launches an assault to rescue Iris, but is injured in the process. [Sources: 0, 7, 8]
When Travis sees the flaws in the plot, he decides to heal himself and New York, then turns his attention to rescuing 12-year-old prostitute Iris (Jodie Foster) from her pimp (Harvey Keitel). The unbridled protagonist sees the dirt and wants the city to be cleaned up, but is tricked into thinking that the only way to make a difference is through drastic methods: excesses that will ultimately be irrelevant to his environment. Martin Scorsese's new film offers Martin Scorsese a chance for the full expressionist use of New York City that Mean Streets denied him because it was set in New York but was filmed on a tiny budget in South Australia. seven days of filming in New York itself. [Sources: 7, 8, 10]
If you want to enter the small intestine of New York's dirty belly and watch a man go crazy, or hey, if you want to watch a movie that filmmakers around the world consider one of the top 10 films. Done - Taxi Driver for you. [Sources: 5]
